THE RIGHT EQUIPMENT FOR THE " PERFECT " SHOOT

    RB67 camera KIT

        

Alexanders' Famous Custom Triple RB camera case 

 

 

MOST photographers travel with one camera and a backup. TOTALLY UNACCEPTABLE !!! 

 

ALEXANDER never wastes time changing lenses for the perfect perspective. His assistant carries 2 RB cameras while Alexander 

works with the other RB posing, moving, shooting quickly AND when he needs a wider lens or a longer telephoto ... his assistant hands him

 the requested camera with the perfect lens and he continues shooting while assistant keeps reloading film backs to snap on instantly. 

 

RB KIT CONTENTS:  3 individual 6x7 Mamiya RB cameras each selfcontained with its own: custom grip, prism, custom 

light seal eye cup, Pocket Wizard Transmitters, Flash, 220 film backs with 3 extra 220 backs loaded & ready to go, Pro 4 special effect lens

hoods and filters. Camera's optics used are: wide 50mm with ultrawide yielding 30mm, a Normal 90mm, and Telephoto 180mm. 

 

PLEASE NOTICE the bottom center CUSTOM RB camera / a "one of "  - the body and prism  is  polished aluminum/titanium 

The ultrawide lens is an Alexander creation created by coupling the Mamiya wide 50mm to a wide broadcast video

 camera lens. An ultrawide lens was NEVER created by the manufacturer for the RB67.

 

The RZ electronic version of the RB is used ONLY in the studio as Alexander prefers to use the " manual only" RB non electronic (more dependable)

medium format cameras. 

 

His assistant is always very very busy...  reloading film backs, staying close to Alexander ready to pass the next camera or film back OR battery.

These are very big and very heavy cameras and the lead acid battery powering the flash is velcro-ed to the prism for quick change.   

The plastic bin on the left holds test meter, repair kit, sync cords, mints & tools   

 

 

 

  DIGITAL  CAMERA  KIT     

            

           

 

           12 Megapixel  S3 Fuijifilm chip and color management 

               

      (finest in the world) imaging on a dual layer chip with the resolution and dynamic range of film.

 

 

                    

                                 Back                                                                        Front    

     

Custom Bracket allows camera to rotate to verticle             Lead acid Battery powers Strobe and can power 

keeping flash in same position above                                         camera in an emergency

               

                          LEFT SIDE                                                            RIGHT SIDE

NiMh battery (under lense) powers camera- when              Note: Transmitter which triggers 3 strobes + fill flash (on camera)  

depleted, its unplugged and internal lithiums continue            IR Controller commands angle and direction of remote strobes. 

the shoot without skipping a beat!                                       Note : "rapid" squeeze control grip tripod head

                                                   Favorite lens Pro Tamron  28 - 105mm  flat  f2.8 

 

                                        

               9mm -30 mm zoom                              The latest  S3 dual chip " looks like film "  high performance camera 

                                                                                      

Vintage 8x10 view with Packard shutter ties into studio             Modern TOYO view w/Schneider optics is perfect for Architectural

electronic flash systems AND 60 second proofs are still             work in correcting non verticle distortions with its

made with POLAROID processor. By the way a pack of             tilts and swings

8x10 polaroid sells for almost $200.00 , The resulting 8x10

can be used right away as its drop dead gorgeous

 Alexander still has very high end  commercial clients that still insist on 8x10 negs and 4x5 negs. The Sports Illustrated Sailing Regatta shots from a chopper in the commercial section of the website where taken with a vintage 4x5 speed graphic with graph-matic sheet film back that allowed  rapid consecutive shooting. 

            Many clients ask ALEXANDER  what he uses personally at home and on vacation :

 For stills its a Nikon D2 system with VR &  DX lenses and the Nikon 995 with the 183 degree lens and

 For Video its the AG-HV2000 tapeless for crazy fun stuff with the family

     

       

Former Channel 2 CUSTOM built  35 foot truck Production , 10 tons of A/C with diamond plated roof for shooting  

 

 ENG events of every flavor ONLY for the very big shoots

 

            

SMALL ENG cube truck- our " little "  big performer. Photo taken at  a 3 day Wedding shoot on the Eastern shore of Maryland

                        

 Studio Shoot - clients choice of 1 inch mastering                      Alexanders Favorite - ultra low light Broadcast "big boy" KY 29                 

 ARRGGGHHHT !             


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